@mastersthesis {157,
	title = {Claire suivi de De la mort {\`a} la vie},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2009},
	pages = {153},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {deuil, {\'e}criture, femme, mort, roman, transmission},
	url = {http://www.archipel.uqam.ca/2489/1/M11125.pdf	},
	author = {Claudine Auger},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {201,
	title = {La mort dans son murmure suivi de Fragments de la voix : essai de composition},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2009},
	pages = {91},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {chant, corps, cri, deuil, femme, m{\`e}re, mort, silence, souffle, sujet, voix},
	url = {http://www.archipel.uqam.ca/2524/1/M11092.pdf},
	author = {Bernadette Carrier},
	editor = {Ren{\'e} Lapierre}
}
@mastersthesis {162,
	title = {Le bruit du monde suivi de S{\textquoteright}attacher et s{\textquoteright}arracher},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {2007},
	pages = {131},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {autofiction, {\'e}criture de soi, femme, fragment, r{\'e}cit de voyage, subjectivit{\'e}},
	url = {http://www.archipel.uqam.ca/895/1/M10125.pdf},
	author = {Annie Rousseau},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {940,
	title = {Le th{\'e}{\^a}tre cruel de la r{\'e}p{\'e}tition {\`a} l{\textquoteright}{\oe}uvre dans Le cri du sablier de Chlo{\'e} Delaume suivi de {\'E}rosive Thana},
	volume = {D{\'e}partement des litt{\'e}ratures de langue fran{\c c}aise},
	year = {2007},
	school = {Universit{\'e} de Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	abstract = {<div><em>Le th{\'e}{\^a}tre cruel de la r{\'e}p{\'e}tition {\`a} l \&$\#$39;{\oe}uvre dans</em> Le Cri du sablier <em>de Chlo{\'e}\&nbsp;</em><span style="font-size: 13.008px;"><em>Delaume</em> est un essai qui explore, selon une perspective psychanalytique, les rapports\&nbsp;</span><span style="font-size: 13.008px;">entre les notions de \&laquo; cruaut{\'e}\&raquo; et de \&laquo; r{\'e}p{\'e}tition\&raquo; (caract{\`e}re r{\'e}p{\'e}titif de la cruaut{\'e} et\&nbsp;</span><span style="font-size: 13.008px;">cruaut{\'e} de la r{\'e}p{\'e}tition) dans <em>Le Cri du sablier</em>, deuxi{\`e}me r{\'e}cit de l\&$\#$39;{\'e}crivaine fran{\c c}aise\&nbsp;</span><span style="font-size: 13.008px;">Chlo{\'e} Delaume, {\`a} partir des deux axes qui d{\'e}finissent sa d{\'e}marche cr{\'e}atrice, telle\&nbsp;</span><span style="font-size: 13.008px;">qu\&$\#$39;elle la d{\'e}finit elle-m{\^e}me: \&laquo; la r{\'e}appropriation de l\&$\#$39;exp{\'e}rience par le verbe et\&nbsp;</span><span style="font-size: 13.008px;">l\&$\#$39;exp{\'e}rimentation parall{\`e}le du verbe \&raquo;. Cet examen nous permettra de poser certaines\&nbsp;</span><span style="font-size: 13.008px;">analogies entre l\&$\#$39;{\'e}criture d\&$\#$39;Artaud et celle de Delaume, notamment dans cette id{\'e}e\&nbsp;</span><span style="font-size: 13.008px;">artaudienne d\&$\#$39;un \&laquo; th{\'e}{\^a}tre de la cruaut{\'e} \&raquo;.\&nbsp;</span><span style="font-size: 13.008px;"><em>{\'E}rosive Thana</em> est un projet d\&$\#$39;{\'e}criture prolongeant les r{\'e}flexions sur la cruaut{\'e}\&nbsp;</span><span style="font-size: 13.008px;">amorc{\'e}es dans la partie \&laquo; essai \&raquo; de ce m{\'e}moire. Prenant la forme d\&$\#$39;un r{\'e}cit, il cherche {\`a}\&nbsp;</span><span style="font-size: 13.008px;">travailler la probl{\'e}matique d\&$\#$39;une violence <em>par </em>et <em>contre </em>le f{\'e}minin. Cherchant {\`a} faire\&nbsp;</span><span style="font-size: 13.008px;">entendre les voix de la folie, il privil{\'e}gie la syncope; l\&$\#$39;interruption, la r{\'e}p{\'e}tition et\&nbsp;</span><span style="font-size: 13.008px;">l\&$\#$39;enchev{\^e}trement discursifs. Ce r{\'e}cit met en sc{\`e}ne une jeune femme, Thana, qui est\&nbsp;</span><span style="font-size: 13.008px;">intern{\'e}e {\`a} l\&$\#$39;Institut Albert-Pr{\'e}vost {\`a} Montr{\'e}al apr{\`e}s qu\&$\#$39;elle ait perdu la m{\'e}moire {\`a} la\&nbsp;</span><span style="font-size: 13.008px;">suite d\&$\#$39;un stress post-traumatique. Retranch{\'e}e dans la salle commune de l\&$\#$39;Institut o{\`u} se\&nbsp;</span><span style="font-size: 13.008px;">trouve la biblioth{\`e}que, Thana</span></div><div><span style="font-size: 13.008px;">\&laquo; d{\'e}vore \&raquo; tous les livres qu\&$\#$39;elle y trouve. C\&$\#$39;est de cette\&nbsp;</span><span style="font-size: 13.008px;">mani{\`e}re qu\&$\#$39;elle fait la \&laquo; rencontre \&raquo; d\&$\#$39;Hubert Aquin et de son univers livresque (Aquin\&nbsp;</span><span style="font-size: 13.008px;">ayant {\'e}t{\'e} intern{\'e} en 1964 dans ce m{\^e}me Institut) et en qui elle trouvera les motivations\&nbsp;</span><span style="font-size: 13.008px;">et les justifications {\`a} ses propres r{\'e}voltes, ce dernier croyant en une \&laquo; beaut{\'e} homicide \&raquo;.</span></div><div>\&nbsp;</div><div><span style="font-size: 13.008px;">Source : Papyrus</span></div>},
	keywords = {cr{\'e}ation litt{\'e}raire, femme, filiation, folie, langue, litt{\'e}rature fran{\c c}aise contemporaine, psychanalyse, th{\'e}{\^a}tre de la cruaut{\'e}, violence},
	url = {https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/7287/Dumont_Isabelle_2008_memoire.pdf?sequence=1\&isAllowed=y},
	author = {Isabelle Dumont},
	editor = {Catherine Mavrikakis}
}
@mastersthesis {337,
	title = {Ton visage est le mien suivi de Bruits de fond},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {2003},
	pages = {97},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {cr{\'e}ation litt{\'e}raire, femme, intimit{\'e}, po{\'e}sie},
	author = {Bianca Fullum},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {688,
	title = {Et elle sourait suivi de Du pari {\`a} l{\textquoteright}utopie},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {1999},
	pages = {135},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {autobiographie, cr{\'e}ation litt{\'e}raire, f{\'e}minisme, femme, postmodernisme},
	author = {Nathalie Piette}
}
@mastersthesis {787,
	title = {Masque de soie ou Les {\'e}chappatoires de l{\textquoteright}imaginaire f{\'e}minin},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1996},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {affectivit{\'e}, femme, narration, symbolisme},
	author = {Johanne Audet},
	editor = {Andr{\'e} Vanasse}
}
@mastersthesis {794,
	title = {Mezza-voce},
	volume = {D{\'e}partement d{\textquoteright}{\'e}tudes litt{\'e}raires},
	year = {1993},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	type = {M{\'e}moire},
	address = {Montr{\'e}al},
	keywords = {{\'e}criture, f{\'e}minin, femme, je, langage, po{\'e}sie, sujet},
	author = {Linda Bonin},
	editor = {Louise Dupr{\'e}}
}
@mastersthesis {659,
	title = {Journal d{\textquoteright}une fiction suivi de Filles-metamorphoses romance},
	volume = {Ma{\^\i}trise en {\'e}tudes litt{\'e}raires},
	year = {1985},
	school = {Universit{\'e} du Qu{\'e}bec {\`a} Montr{\'e}al},
	address = {Montr{\'e}al},
	keywords = {f{\'e}minit{\'e}, femme, litt{\'e}rature, prostitu{\'e}e},
	author = {Carole David}
}